![]() He just needs better voices.”īoth Strickland and Vettori suffered similar fates against Cannonier, albeit, Strickland was more competitive in his split decision loss this past January. Marvin is a tough guy, great cardio, a lot of heart, stupid as f****** dirt, but he has all the potential in the world. I think if Marvin could find a better special needs helper, it will put him in the right direction. “You know what I’m saying? Right now, he’s on that short bus, and the people driving the short bus, they’re taking him in bad directions. ![]() I just think Marvin needs to find a better short bus driver. If I went to Marvin and he put me in a position of power and I said, ‘Marvin, I want you to stand on one leg, just for five days and I think you’re still gonna win the fight,’ he would stand there on one leg for five days and not move. The problem with Marvin, you guys: Marvin’s dumb. Some days I want to take him outside and shoot him,” Strickland told The Schmo. Occasional training partner and fellow middleweight contender Sean Strickland sees the sky as the limit for “The Italian Dream.” Perhaps a support change could do the trick, according to the brash Strickland. Going by this trend, Vettori is primed to rebound but his ceiling is becoming evident to those at 185 pounds. Vettori has alternated wins and losses in his last five appearances, starting with his title fight rematch against Israel Adesanya in June 2021. While he didn’t get the nod, Vettori’s chin and durability impressed everyone watching almost as much as Cannonier’s efforts. “The Killa Gorilla” battered his Italian foe en route to a unanimous decision victory that saw Cannonier land 241 significant strikes, a record for a UFC middleweight contest. Jared Cannonier put on a record-breaking performance in the UFC Vegas 75 main event opposite Vettori. If you also believe that everyone deserves access to trusted high-quality information, will you make a gift to Vox today? Any amount helps.Marvin Vettori will have to go back to the drawing board after his most recent outing this past weekend. (And no matter how our work is funded, we have strict guidelines on editorial independence.) ![]() That’s why, even though advertising is still our biggest source of revenue, we also seek grants and reader support. It’s important that we have several ways we make money, just like it’s important for you to have a diversified retirement portfolio to weather the ups and downs of the stock market. And we can’t do that if we have a paywall. We believe that’s an important part of building a more equal society. Vox is here to help everyone understand the complex issues shaping the world - not just the people who can afford to pay for a subscription. Second, we’re not in the subscriptions business. We often only know a few months out what our advertising revenue will be, which makes it hard to plan ahead. But when it comes to what we’re trying to do at Vox, there are a couple of big issues with relying on ads and subscriptions to keep the lights on.įirst, advertising dollars go up and down with the economy. Most news outlets make their money through advertising or subscriptions. Will you support Vox’s explanatory journalism? Even if you don’t understand a lick of music theory, you’ll likely walk away with an appreciation for this musical puzzle.īy the way, later in Flanagan’s career, he made up for his shaky performance by recording a near-flawless improvisation: Jazz musician Braxton Cook and music YouTuber Adam Neely gave me a crash course in Western music theory to help me understand this notoriously difficult song, and I bring you along for the ride in the video above. While this song is one of the most complicated in jazz, it’s also the perfect tool to learn a few basic music theory principles that drive Western harmony. “Giant Steps” is so challenging that Tommy Flanagan, the pianist on the original recording, could barely get through his solo before Coltrane took over. It’s tough for two reasons: The chord progressions are played fast, and they’re in three keys. The chord progression that makes up the entirety of the song came to be called the “Coltrane changes” it’s known across the musical world as one of the most challenging chord progressions to improvise over. John Coltrane, one of jazz’s most revered saxophonists, released “Giant Steps” in 1959.
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